Mondrian and Cubism  Paris 1912–1914

By Hans Janssen; preface by Benno Tempel, text by Keziah Goudsmit
Ridinghouse 2016 and Gemeentemuseum Den Haag

28 × 22 cm  |  11 1/8 × 8 5/8 in
152 pp, 334 colour ill.
Distributed in UK/Europe only
ISBN: 978 1 909932 14 2

Analysing a key period in Piet Mondrian’s career, this volume illustrates Cubism’s impact on the artist’s pioneering path towards total abstraction.

Drawn to the cubist work of Georges Braque and Pablo Picasso, Mondrian spent two years in Paris, from 1912–14, that lead him to begin experimenting with an entirely original abstract style. Using a cubist palette of grey and ochre, the artist transformed the landscapes and architectural facades of his earlier figurative works into compositional structures of increasing complexity and abstraction.


Upon his return to the Netherlands in 1914, Mondrian exhibited the 17 works he had painted during those two significant years in France. This volume maps Cubism’s influence on artists working in the Netherlands at that time, and demonstrates Mondrian’s central role in bridging the gap between the French cubists and their Dutch contemporaries. Accompanying over 300 illustrations – including close details of key works – a chronology by Hans Janssen tracks Mondrian’s development within the context of its time.


Originally published in Dutch to accompany an exhibition at Gemeentemuseum Den Haag, The Hague in 2014, this important survey is now available in English for the first time.

Keziah Goudsmit is project coordinator at Frieze Fairs, London. Hans Janssen is Curator at Large for Modern Art at Gemeentemuseum Den Haag, The Hague. Benno Tempel is Director of Gemeentemuseum Den Haag, The Hague.

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