Robert Holyhead’s paintings engage with the tensions between colour and form through additions and erasures on the painted surface.
Since meeting Bridget Riley in 1967 art historian and critic Robert Kudielka has proved her keenest observer. This newly revised and expanded edition collates a substantial body of his essays on and interviews with the artist.
Eva Rothschild’s large-scale sculptural compositions explore relationships between surface and structure whilst testing the boundaries between the abstract and figurative.
Published on the occasion of the 40 year anniversary of Galerie Max Hetzler, this volume documents the breadth of exhibitions held at the gallery since 1974.
The multiple notions embedded within the 'black sun' – relating to eclipse, transfiguration and alchemy – are explored in this beautifully produced publication conceived by the artist Shezad Dawood.
Following the news of his self-imposed exile from art criticism, Dave Hickey’s newest body of essays questions and challenges the cultural status quo in his trademark witty style.
In the two related bodies of work that form the centerpiece of this volume, Zoe Leonard poses fundamental questions about the medium of photography and the nature of sight.